Day 1: Rain-Soaked Revelry and Musical Magic
Friday, May 23 | Harvard Athletic Complex, Boston, MA

Boston Calling 2025 roared to life on Friday with a lineup as diverse as the forecast, welcoming fans of all ages to the Harvard Athletic Complex for a full day of unforgettable performances, hometown pride, and festival innovation. What started as a cool spring day eventually gave way to steady rain, but spirits only rose higher as the skies opened up. From seasoned headliners to local gems, jazz innovators to hip-hop royalty, Day 1 proved that a little weather can’t stop Boston from throwing a party.

A Jazzy Start: The Arena Stage

Inside the Arena tent, students from the Berklee College of Music set a high bar for artistry with a jazz showcase that was as soulful as it was skillful. Tiril Jackson’s saxophone-led ensemble was mesmerizing—blending classic jazz tones with cinematic flair. Devon Gates followed, building lush soundscapes from her upright bass, her compositions both grounded and exploratory. Su Yavuz closed the set with a genre-fluid performance that combined Eastern scales with improvisational firepower. The Arena, warm and echoing with applause, became a musical sanctuary as the skies outside began to darken.

Homegrown Vibes: The Orange Stage

Over on the Orange Stage, local Boston artists gave hometown fans a reason to cheer.

  • Battlemode opened with a chaotic, high-energy set that blurred the line between live show and digital glitch art.
  • Future Teens tapped into raw emotion and jangly guitars, winning over the crowd with confessional lyrics and communal singalongs.
  • Megan From Work injected the day with wit and wall-of-sound indie rock, offering sharp hooks and cheeky banter.
  • Latrell James closed out the stage with a triumphant set of introspective hip-hop, igniting the damp crowd with beats, bars, and hometown heart.

The Orange Stage felt like a block party with Boston’s most promising creatives leading the charge.

Soul, Style, and Stars: The Blue Stage

The Blue Stage curated a seamless blend of R&B, soul, hip-hop, and genre-benders.

  • Kyle Dion lit up the stage with falsetto fire and slick charisma, balancing sensual soul with rock-star swagger.
  • Infinity Song, a family band with tight harmonies and emotional clarity, delivered one of the day’s most moving sets.
  • Thee Sacred Souls transported fans with retro-soul grooves, sounding like a 1960s Motown act time-traveled to Boston 2025.
  • MIKE, known for his poetic realism, dropped verse-heavy tracks with a stoic presence that had fans leaning in, nodding along in rhythm.

As the rain intensified, the stage belonged to T-Pain, who arrived like a one-man festival. Mixing nostalgic bangers like “Buy U a Drank” with stripped-down vocal showcases, he turned the drenched field into a giant, joyful singalong. Auto-tune king? Maybe—but his natural voice, humor, and crowd control proved he’s a festival headliner through and through.

A Giant Leap Forward: The New Green Stage

Boston Calling’s biggest visual and logistical upgrade debuted with the new Green Stage—a massive fusion of the former Red and Green stages. With giant video screens and a rotating platform that allowed one act to set up while another played, transitions were seamless, and the flow of music never slowed.

  • Bebe Stockwell opened with intimate, rootsy folk that felt honest and grounding.
  • Holy Roller followed with brooding alt-rock, blending distortion and dynamics with grace.
  • Wilderado brought soaring choruses and melodic twang, perfectly matching the festival’s open-sky backdrop.
  • Max McNown kept the Americana spirit alive with heartland rock and a magnetic stage presence.

When TLC unexpectedly canceled due to illness, Boston’s own Dalton and the Sheriffs stepped in without missing a beat. Their blend of country, rock, and Boston grit made for an ideal replacement, and their set—clearly a hometown hero moment—kept fans fired up.

As the rain poured down in earnest, the headlining acts brought Day 1 to a cinematic close:

  • Sheryl Crow took the stage like the legend she is, running through decades of hits. Her performance of “Soak Up the Sun” was met with ironic, soaked enthusiasm.
  • Megan Moroney kept the energy high with polished country-pop, proving why she’s one of Nashville’s rising stars.
  • Luke Combs, Day 1’s headliner, delivered the ultimate finale. With hits like “Hurricane,” “Beautiful Crazy,” and “Fast Car,” he had the entire festival singing through the storm. Drenched fans held each other, held up drinks, and belted out lyrics like hymns under the open sky.

Rain Can’t Stop the Rhythm

It may have rained, but that only made Day 1 of Boston Calling more memorable. Fans, wrapped in ponchos or soaked to the bone, stayed through it all—dancing in puddles, singing in unison, and cheering each artist like the sun was shining.

Boston Calling’s first day wasn’t just a music festival. It was a celebration of resilience, rhythm, and shared joy. With two more days to go, the message was clear: rain or shine, Boston’s calling—and the crowd is answering.

Read about Day 2 | Day 3

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